ISSUE #27

Pacing of a Predator

Welcome to the weekend.

 

Here are some haunting happenings on Rahaman Writing:

                                                       

  • Added Page 13 to The Baron's Journal

  • Updated the Halloween Competition submission form

    • A​ new award added!

    • Excerpts from unpublished work are now acceptable as entries!

  • Redesigned the homepage

  • Added the newsletter subscription form to page footer

While lurking in my basement, contemplating my many schemes and plots, I've noticed that I tend to always choose the long-game over short ventures. In my newsletter series, Of the Sky, Of the Sea, and Of the Stones, I'm creating and putting together the pieces of a world for my next book (that I have yet to begin writing), Salt on the Waves.

 

I'm also writing a dark power-fantasy homage to The Divine Comedy and tweeting/uploading the pages every week. I plan to expand The Baron's Journal's world (with some changes!) as Hell is a very interesting place to write about.

 

It's almost like I'm stalking my prey, in that the completion of more books is my target.

Ever moving closer, slowly, steadily.

Hungrily.

A notion which brings us to this week's advice.

 

The Baron of Beholder's Writing Tip #16:

 

 Pacing and anticipation can be great tension builders. Particularly if you reveal subtle details consistently, yet sparsely. This is especially important for horror, where you have to balance between telling too much and telling too little.

 

What the precise balance will be will depend on the length of the work, the target audience, the subject matter, and many more factors.

 

Try to do one thing at a time.

 

Reveal one part of the monster's existence (yellow eyes, the smell of blood-soaked fur, a horrid howl, etc.) as a human character encounters them briefly upon a moonlight night while camping.

 

Then maybe later let this same character find a huge footprint closed to a dirt path, allowing the reader to gauge the size of the threat.

 

After that, possibly reveal the corpse of a deer, or another large animal, with wounds inflicted by your monster (gashes from claws, teeth marks on bone, acidic residue, etc.) to force the implication of impending death into the viewers' minds.

Hideous fiends with foul intent threaten Athos, and his colleagues, once more as he and the Aetherian scholars reach the harbour. Together, with the Bitterwind and her crew, they fight their way past the tongue-beasts and escape the city just as a familiar threat approaches.

 

Fleeing the City

© 2020 Rahaman Writing

Subscribe to our newsletter for cool exclusives!

You will get updates on the happenings of Rahaman Writing, writing tips, entries of a story that is my world-building Work-in-Progress, access to the site's hidden secrets and a few surprises here and there! Newsletters are sent out every Friday. 

Still unsure if you should subscribe? Here's an excerpt from this newsletter's ongoing series:

"One such Spark, but a mere fraction of Order, became the source for all we know upon Okeanós. While spinning and soaring through the many violent tendrils of Chaos, this particular Spark willed for it to stop; for the madness and rushing of void mixed with explosions of light to cease. So it forced the chaotic clouds around itself to shift into a pattern. It gave reason and rhythm to the matter and energy, previously untamed, until the void and light coarsed together, in harmony, at the weaving will of this Spark. Near the bottom of the page sharing this information, it is mentioned that there was a ‘God’ who had succumbed to a Chaos-stricken madness following the learning of these details. How they transferred the information, and what became of them, is not mentioned until the reference section, which I shall get to a bit later, as they warrant explanation as well..."